Monday, March 17, 2014

Doctor Who Season 11: Another era ends

The new year brings us the last quintet of Jon Pertwee adventures, the beginning of Elisabeth Sladen’s time with the show as Sarah Jane Smith. We also get a new title sequence that is essentially the same as the one I grew up with while watching Tom Baker’s episodes on public TV in the Twin Cities all those decades ago. Instead of the constantly mutating, howl-around effect used in the show’s first decade, the new sequence employed a slit-screen technique like the one used in 2001: A Space Odyssey. It instantly upped the mysterious mood of each episode, even if what followed only brought up questions about how terrible the special effects were (see “Dinosaurs, Invasion of the” below).

The Time Warrior

Elisabeth Sladen makes a strong debut, as do the Robert-Holmes-created Sontarans in this quasi-historical adventure. Holmes’ skills with characters are put to good use here, as we have a set of nicely created characters, from the militaristic alien to the good and bad denizens of the forest to an absent-minded scientist captured from the future to help Linx fix his ship. Sladen’s Sarah Jane Smith is tough and feisty here, believing that the Doctor is responsible for all of the bad things until she meets Link. Sladen said in later years that Sarah Jane was never as strong as written as she was here, and it all makes for a grand start to the character and the season.

Invasion of the Dinosaurs

So Malcolm Hulke gets called in and provides a pretty good script about a secret group of scientists and do-gooders who want to bring on a golden age by turning back the clock to the age of dinosaurs and repopulating the planet with folks who think they’ve settled a new world. The guest cast is fine and with plenty of good performances. There are some atmospheric shots of a deserted London in the first few minutes (shot verte style by the director and a single cameraman on a Sunday morning). Then it all gets ruined when the dinosaurs show up. Calling them horrible is an insult to horrible things. Doctor Who, especially in this era, has a reputation for dodgy effects and rubber monsters. Some of it is a bit harsh considering the era and the budget, but here every bad thing comes true. The effects nearly derail the story and have poisoned its reputation through the years.

Death to the Daleks

We’re off the BBC quarry for a tale of humans and Daleks facing off on an alien planet. One where their power is drained, leaving the Dalek guns useless (and the suckers couldn’t do anything except carry messages in those days). It turns out that an ancient city created by the Exxilons, who have since reverted to barbarism. The story gets dodgy in places, and the BBC corridor sets are used quite a bit as well, but there is some good tension among the characters as they try to solve their power troubles, defeat the Daleks and save the human colonies from a deadly “space” plague.

Monster of Peladon

There’s a distinct sense of déjà vu here, as a number of characters, character types and even events from the first Peladon story are employed in the second time around. We also get miners (not Welsh this time, but with badger-looking wigs) who are oppressed by the royal class (who have different, not quite as absurd wigs). Our favorite giant eyeball on legs, Alpha Centauri, is back, as is the furry spirit of the society, Aggedor. The Ice Warriors are here as well, and they’re back to their evil ways, working with a human agent to take the rare made-up mineral for themselves. This leads to a lot of action back and forth that ends up being entertaining, but showcasing some of the Third-Doctor six-part sag by the end.



Planet of the Spiders

Jon Pertwee goes out with a bang in this epic final adventure, which brings a number of ideas from past episodes back. The Doctor’s trip to Metebelis 3 at the beginning of The Green Death comes back to haunt him. As the blue crystal he returned with is essential for the giant spider ruler of the planet to complete her scheme to take over the world. The connection to Earth comes from a Buddhist retreat, where a group has made a psychic connection with the spiders. The leader, Lupton (John Dearth, who voiced the unhinged supercomputer BOSS in The Green Death) wants supreme power, but has bitten off more than he can chew.

All of this gives Jon Pertwee one last chance to do everything that he loves. We have an extended chase that takes up most of episode two. It includes cars, a gyrocopter, a hovercraft, and finally a speed boat. Richard Franklin gets to wrap up the Mike Yates character, redeeming him from his dinosaur betrayal. Behind the scenes, Kismet Delgado – Roger Delgado’s widow – voices one of the spiders.


The Doctor faces his fear, goes face to face with the big bad spider and defeats her. His body is used up, however. Pertwee gets one final moment before turning into Tom Baker – and heading into a brand-new era for the show.

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